25th April 1974. A special date in Portugal's recent history. A left-wing military revolution ended a 48 year fascist dictatorship without using violence. Instead, their guns held red carnations giving it a powerful symbol and ti's popular name: Carnation Revolution.
Music had a significant role in the revolution. The political police censored records and persecuted artists, and this artists, mostly associated with the communist party, became symbols of the resistance. Also, the signal to begin the revolution was sent via radio, as military forces took control of the national radio station and two songs were played: Paulo De Carvalho's "E Depois Do Adeus" and Zeca Afonso's "Grandola, Vila Morena".
The years after the revolution were turbulent. This period, known as PREC (Processo Revolucionário Em Curso, Revolutionary Process In Course), was rich in social confrontation and was another field of confrontation between United States and Soviet Union.
I chose to today's podcast not only music from those years but also other recent examples of portuguese popular music with intervention lyrics.
First, the most recent track, by a portuguese rapper and producer, with a great spoken-word track with a traditional portuguese guitar backing. It's just a portrait of the white city (nickname of Lisbon) but it's a very heartfelt one.
Two very direct post-revolution left-wing tracks follow: the Grupo De Acção Cultural (Cultural Action Group) was a collective of musicians openly of communist influence. Fausto is the master of portuguese popular music. "As Comissões" is about associations that were supposed to represent (and for some time represented) the power of the proletariat. No metaphor’s here.
Next, a track about popular poetry. I can’t really describe it: if you don’t know portuguese, you really can’t appreciate the genius lyrics. José Mário Branco was part of the G.A.C. and was also a popular solo artist, a producer of some of the most important albums in Portugal’s history and also a left-wing politician. “Eu Vi Este Povo Lutar” (I Saw This People Fighting) is another direct percursion-heavy call to arms to the proletariat against the oppression and the poverty.
Quarteto 1111 is a very different band from the previous ones. They were more influenced by English bands than they were by portuguese popular music. Nevertheless, they wrote about the exiles of the dictatorship and the war in the African colonies. The result: banned by the censorship. Another victim of the censorship (the most famous one) was José Afonso, or Zeca Afonso, a genial singer-songwriter associated with the communist party with various banned albums and forced to exile. “Venham Mais Cinco” is one his best known songs, with a light pop sound but with lyrics about the hunger, comradeship, police raids and resistance.
Finally, another song by Fausto, this time from its last album: a concept album about a singer in the years of the dictatorship and his relation with the censorship. In its usual fashion, Fausto uses the story to show his views on today’s society with an amazing background music that fuses numerous influences (Portuguese, African, pop-rock, dance, jazz) and doesn’t have any fear of the direct lyrics.
Last song is “Grândola, Vila Morena”, the ultimate symbol of the revolution. The lyrics talk about a city, Grândola, were the people are the rulers, and really is about the original ideals of the revolution. I included a late live performance, only with voice and mostly emotionally singed by the audience, showing that it is almost like an unofficial national anthem.
Enjoy!
01 - Sam The Kid - Slides Retratos Da Cidade Branca (Pratica mente 2007)
02 - G. A. C. 'Vozes na Luta' - Pois Canté! (Pois Canté! 1976)
03 - Fausto - As Comissões (Madrugada dos Trapeiros 1977)
04 - Sérgio Godinho feat Gaiteiros De Lisboa - Quatro Quadras Soltas (O Irmão do Meio 2003)
05 - José Mário Branco - Eu Vi Este Povo Lutar (Ser Solidário 1982)
06 - Quarteto 1111 - Pigmentação (Quarteto 1111 1970)
07 - José Afonso - Venham Mais Cinco (Venham Mais Cinco 1973)
08 - Fausto - Materialista... Sou Eu (A Ópera Mágica do Cantor Maldito 2003)
07 - José Afonso - Grândola, Vila Morena (Ao Vivo No Coliseu 1991)
Total: 34:56 (31,9 MB)